Ecos, desdobles, distorsiones

"La Atlántida" ("L'Atlantide", G. W. Pabst, 1932)

"Week-End" (Jean-Luc Godard, 1967)

"Caniche" (Bigas Luna, 1979)

"Orfeo" ("Orphée", Jean Cocteau, 1950)

"El reportero" ("The passenger", Michelangelo Antonioni, 1975)

"El trío infernal" ("Le trio infernal", Francis Girod, 1974)

"Vivamente el domingo" ("Vivement dimanche!", François Truffaut, 1983)

Marlene Dietrich

"El cantar de los cantares" 

("The Song of Songs", Rouben Mamoulian, 1933)

"Shakespeare habla" ("Shakespeare wallah", James Ivory, 1966)

"Pajaritos y pajarracos" ("Uccellacci e uccellini", Pier Paolo Pasolini, 1965)

"Séance" ("Kôrei", Kiyoshi Kurosawa, 2000)

"Maridos ciegos" ("Blind husbands", Erich von Stroheim, 1919)